Powerful Beauty is an amazing piece that people just love to see.

At the opening reception for a summer gallery exhibit, I was standing in front of this painting while talking to a NYC handbag designer for two world-famous fashion brands (who also bought one of my paintings that evening) when a very tall, amazingly elegant woman brushed behind me and whispered, “I l-o-v-e this piece!

What makes Powerful Beauty such a winner?

To begin with, it was strategically designed to arouse and grab and gently caress. It’s beauty was deliberate and intentional. I am above all else an abstract artist, but I also trained and got certified in evidence-based design. I support the idea of basing designs on actual medical and scientific studies for health and healing and, like the many tools and techniques I use as an artist, I don’t hesitate to use these evidence-based design rules and guidelines while creating even abstract art.

The goal for Powerful Beauty was to create something abstract and full of movement but also balanced, stable, and beautiful to view.

If you would like more information about an artist’s adventures with evidence-based design, check out the book 100 Days Of Happy Happy Art, Evidence-Based Design by Dorothea Sandra.

It’s not just an art book. There’s lots of really cool and thoughtful information in it like, “What Exactly Is The Definition Of Evidence-Based Design?” (Section 1.4) to “What Happens To Our Brains On Art?” (Section 3.1) and “What Is Neuroarts?” (Section 3.2).

So, where did I get the inspiration for this piece? My studio is located in a Great Lakes region surrounded by amazing bodies of water. Almost everywhere I go, I am surrounded by raw, authentic, super clean NATURE. At first sight, this area might look ordinary or just another stretch of beach with rocks and sand, but when you look deeper and capture “the essence” of what is happening all around, it’s truly amazing. There’s always some kind of power or beauty happening.

This painting also made an appearance in the July issue of the London Tatler magazine. It’s #23.

 
 
 


Dorothea Sandra, BA, EDAC

Dorothea Sandra is a national and international commissioned artist. Her art has appeared in museums, galleries, newspapers, and magazines. She is the author of 100 Days Of Happy Happy Art, Evidence-Based Design.

https://thewonderfulworldofdorotheasandraart.com
Previous
Previous

Bubbling With Happy Smiles

Next
Next

Welcome